Random thoughts and images from the photo archive:

Having spent most of my lifetime immersed in photography of one kind or other I have decided to go through the archive of images and give them a life outside the negative folders and boxes.

The galleries follow me from the start of my photography and cover the following periods: 1970s: My Cowley school images from St.Helens, 1980s: Photo College in Nottingham then London, 1990s: London then moving to Sheringham, 2000s: Before the transition to digital

Exploring the neighborhood

View from St.Stephens Church, Sneinton, Nottingham. Looking West towards the Kingston Court flats. Taken in 1981/1982.
I used to live on Lees Hill road in Sneinton and passed this church each day. Sometimes its good to explore and get a different angle on things.

As a school boy

Taken in the Photography Studio at the Gamble Institute in the later 1970s. This was one of the very first portraits I took and is of another attendee at the Saturday Morning Photography classes that the Gamble Institute ran.
I was not meant to be there as I was too young to be on the course (approx 15), my school friend Ian Griffiths managed to blag us both onto the course by stretching the truth a little.
The Pepsi commercial line written on the blackboard dates from 1974 but this may have been taken between 1975 -1977 when the unusual nature of the commercial still inspired wannabe creatives..

November dip

A gentle still day. The sea laps against the North Norfolk shore at Sheringham. Digital, not film, Lumix G7 shot processed as if it were film.


An early component of the Victorian revolution. Canals became a network that enabled a revolution. The revolution started in the North West of England and transformed the world.

Held high in the air this waterway crosses the road.

Some guidance needed

This image sold well on Getty Images when I used the agency but has also been stolen many times by religious groups on Facebook and various blogging sites – I’m coming for you!

The maze started life as a black and white line drawing that was then extruded using the landscape generator software “Bryce” that was popular in the 1990s. Other elements shot on film and scanned before being put together on a Silicon Graphics Indy computer running Barco Creator software.

Please note that I do not provide sharing links for commercial images on this site, these are for viewing on this website only If you wish to purchase a license to use the image then just get in touch)

Mother of Pearl


St.Stephens Tower (aka  Elizabeth Tower) clock face, Parliament,UK. Taken in 1988.

I had just bought a second hand 500mm mirror telephoto lens for my camera and thought the clock face would be a suitable image for Tony Stone Images stock library.

The IRA were still bombing the mainland in those days but I was left undisturbed in Parliament Square that evening even though the large lens on my camera mounted on a low tripod was the spitting image of a rocket launcher.

A late Summers evening as the sun picked out the beauty of the clock face.

Taken with a Pentax K1000 camera using a  Tamron SP 500mm lens on 35mm Fujichrome Provia film.

Please note that I do not provide sharing links for commercial images on this site, these are for viewing on this website only If you wish to purchase a license to use the image then just get in touch)

Fabricated landscape


A 1980s 35mm transparency of a field of reeds combined with an Agfa Arcus II flatbed scan of some fabric (also 1980s).

Ian Holm

So sorry to hear of Ian Holms death today. A pretty good innings at 88 though.
I was fortunate enough to meet Ian Holm when he played Lech Wałęsa at Granada studios Manchester in 1981. I was there with Adam, a fellow photo student at Trent Polytechnic who was the son of the writer Boleslaw Sulik. He had written “Strike! the story of Solidarity”, the movement that eventually saw the collapse of Soviet control of Poland.
What I remember most was his good grace; he was kind to me, a young stranger who took photographs of him as he tried to relax and focus in the breaks between filming scenes. We  had a short chat about photography as it was also an interest of his wife.
I was struck that this humble man was completely grounded as he took center stage in depicting the story of the Polish freedom movement. A real pleasure to meet an extraordinary man.
In this photo Ian is talking to the writer Boleslaw.
Pentax K1000 camera, 50mm f2 lens, Ilford HP5 film rated at 400ASA.

Tree shadow

Unknown location but in the North West of England.
Minimalist and Brutalist architecture. 1980s.

Saint John

St.Johns station near Brockley on a foggy night. 1980s

One of the slam door trains moves past the platform at S.Johns and heads to the next stop: New Cross.

This was my local train station and was used for trips to work. I traveled via 2 trains and the underground and the journey was from St.Johns in South London to St.Johns Wood in North London.

Holiday Camp

A gentle stroll down the beach in Prestatyn, Wales with my parents and sisters. We came across this holiday camp. It didnt look particularly inviting but things were a bit like that then. This may of course have been taken after 1984 when it was closed down and used to train police in riot control. In 2001 it was redeveloped for housing so assuming foreign holidays are something of the past we need to get re-building.


Self portrait, 1983. Having just finished a three year photography course Im in my bedsit contemplating what the future might look like.


Burrows court Flats photographed from Colwick Woods, Nottingham Taken in approx 1981/2
(Many thanks for the people on the Facebook “Nottingham” group for their help in finding this location)

Mamiya 124G twin lens reflex camera 80mm lens, Ilford Pan F film at 50ASA.



My daughter Alice, taken in 2001. film processed in 2018.
Canon EOS 1 camera 100mm lens Ilford FP4 plus 35mm film